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Musarc: Odrathek. 11-13 May 2018

Musarc’s Odrathek presents a weekend of experimental music and vocal performances with artists from the UK and abroad to ask: how do we make music in the Chthulucene*? In the spirit of Haight-Ashbury and the Paris Spring of May ’68, Odrathek is a non-stop happening of performances, parliaments, installations, screenings, workshops and eating together. It gives an insight into the unique universe of the Musarc choir and its cross-disciplinary working method where traditional ways of practice collide with ideas both inside and outside the domain of music.

Musarc and the artists at Odrathek develop projects between different art forms, performers and audiences, musical genres and ways of making music, to create a theatrical spectacle where bread, Bach and Debussy mingle with slime-mould. The choir learns and practices, yodels, moves bamboo sticks, poems, sound and mounds of earth. It sets the universe to vibrate, conducts nonsensical language tests, plays the building with bouncy balls, singing/eating and protesting together with an audience that can watch, listen and work with the artists, and become part of a post-political, post-post real-time opera.

During the festival, in the old fire-station in Lambeth, screenings, installations and special solo-performances by the artists alternate with workshops and practice sessions of the choir that allow the audience to experience and take part in the performances and their making, including works and new commissions by Jenny Moore (CAN/UK), Celia Gondol (FR), Claudia Molitor (UK) and Joseph Kohlmaier (AT/UK), Jenna Sutela(SWE), Amber Priestley (US/UK), Alex de Little (UK), Edka Jarzab(POL), and members of the ensemble Amina Abbas-Nazari (UK), Jakub Modrzejewski (POL/UK), Natalia Kieniewicz (US/UK). It features installations and screenings by Volkmar Klien (AT) and Karin Hasselberg (SWE), and Lore Lixenberg’s (UK/DE) real-time opera PRÊT Â CHANTER, as well as special performances by Rebecca Jagoe (UK), Rie Nakajima (JP/UK), Benedict Drew (UK), Esther Venrooij and Heleen van Haegenborgh (BE).

Odrathek also marks the album-launch of Bloody Sirens, a recording of four works Musarc developed with artist/composer Neil Luck (UK) between 2010–15, recorded at Extra City Kunsthal, Antwerp, and published by avant-garde music label Entr’acte.

The event opens on Friday 11 May, 6pm, and closes on Sunday 13 May, 9pm. It is the first in a series of events, projects and commissions that celebrate ten years of Musarc in 2018–19. Musarc is a project by Joseph Kohlmaier, the ensemble’s founding and creative director, and its director of music Cathy Heller Jones.

Musarc: Odrathek, The Workshop, London SE1

Friday 11—Sunday 13 May 2018

Day Tickets £12 / £15
Event Pass £28

Open to anyone and people of all ages.
Book Tickets

* Read more about the Chthulucene.



Karin Hasselberg, HOLE#17, 2012. Photo: Wytske van Keulen
Odrathek’s venue, The Workshop, SE1

About jeh

Jeremy Hunt is Director of the AAJ Press (Art & Architecture Journal / Press) – a writer and consultant on art and public space


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